RACHEL
With preference for the monolith
her work sits proud
beyond the element of form
beyond the canvas edge.
So private and so palpable
the space beneath her chair
and yet a single idea cast
beside the wharf
her House of 1983
existing now as memory.
A library etched in absent books
the Holocaust In bunker form
that haunts and contrasts with
the cabin in its restful cast
observing empty space.
The weightless luminosity
encapsulated high above
the nothingness of empty form
solidified within the square
above all human presence
She peeled the light
she cast the dark
her work adjudged
both best and worst.