CHIAROSCURO

Robert Tilleard


Clear and obscure means more than light and dark;
It’s more subtle than these stark opposites –
One cannot exist without its other.
I was once given some fragrant roses
Whose tenuous scent was also heady,
Whose quiet colours were yet effusive,
Whose caressing petals had a partner
Who crept up and cruelly drew my blood.
An entity can only be entire
When united with its vital allies,
Who, like antagonistic siblings,
Cannot abide each other’s company,
Till they understand that – to be as one –
Luminous male Yang needs alter ego
Yin, his tenebrous female counterpart.
Perhaps a painting is an entity
Which, when reconciled with adversaries,
Should combine with these erstwhile opponents
To create an undivided image -
Yet still a jigsaw of contradictions.
It should lie down to be seen in full sight,
And stand erect to be hidden away;
It should be imprecisely well-defined,
And unambiguously diffusive;
Sensuously curved and openly arced,
But within a linear straight-jacket;
With a perspective that’s a verity,
An illusion that hoodwinks nobody.
Contriving, either apart or as one,
To unmask the face of an artifice,
A breathing, inanimate entity,
Aspiring to an equilibrium.

  • Author: Robert Tilleard (Offline Offline)
  • Published: April 17th, 2022 20:13
  • Category: Unclassified
  • Views: 12
  • Users favorite of this poem: L. B. Mek, Dahlia.
Get a free collection of Classic Poetry ↓

Receive the ebook in seconds 50 poems from 50 different authors


Comments1

  • L. B. Mek

    (what an absolute privilege
    it is to read your genius mind
    entwining contradictions to dig deep
    and excavate
    to then unfurl
    threading distinct, such complex
    theories and insight's..
    all I can do is thank you
    humbly
    for choosing to share your work with us
    and for inspiring my feeble reply below..
    I bow to your superior intellect, dear Poet)
    we juxtapose, perspective
    from our outset
    like marvelling at Caravaggio's, brilliance
    how, he seemingly clasped
    light, itself
    within his brushstrokes and willed it
    to his very whim..
    and yet
    that baroque period, and context of his life
    makes us feel, a little uneasy
    at admiring his genius
    because their is corruptive intent
    at those root seeds of his artistry's
    blossoming, legacy...
    but
    'Luminous male Yang needs alter ego
    Yin, his tenebrous female counterpart.'
    and thus our choices, too
    are empowered by our ability:
    'To unmask the face of an artifice,
    A breathing, inanimate entity,
    Aspiring to an equilibrium.'
    affording us, the capacity
    to admire, all art
    removed from its
    'jigsaw of contradictions.'
    kinda like, our murky lives...!



To be able to comment and rate this poem, you must be registered. Register here or if you are already registered, login here.