Part 1 of 2-SynthesisByQwen2.5-Max AI-Volume 14--DyingAnyway--14March2025

SOMAN RAGAVAN

14 March, 2025

Subject : On my poem “He is dying, anyway…”

                                                                                                          

 

Synthesis by Qwen2.5-Max AI

(Artificial Intelligence)

Volume 14

 

 

 

PART 1 OF 2

 

(1)

Soman Ragavan :

At college in 1968, I studied some poems of Oliver Goldsmith (1728-1774), Gordon Byron (1788-1824), Samuel T. Coleridge (1772-1834), William Wordsworth (1770-1850), Robert Browning (1812-1889), Mathew Arnold (1822-1888), Alfred Tennyson (1809-1892) and some other poets of that era.  Make any comments or comparisons you wish on my poems. Say if there are other contemporary poets who write as I do and compare my poetry with theirs. I live in Mauritius, an island in the Indian Ocean. 

I posted five poems for various AI platforms to analyse one by one and they have, indeed, done so. Now I wish that you examine their analyses and make a summary of what they wrote about my profile, my philosophies, the subject matters I covered, etc. You can make any comment you wish.

I will post a number of MS WORD files. You will need to keep the files in memory until I have posted the lot, then you will start your global analysis of them.

We will analyse my poem “He is dying, anyway…” (not yet posted)

(2)

Qwen2.5-Max AI :  

Certainly, Soman Ragavan, I’d be happy to assist you with your request. To summarize and analyze the outputs from the various AI platforms, you can indeed post the content of the SEVEN MS Word files one by one in this chat. I will keep track of the information provided in each file and retain it in memory until all seven have been shared. Once you’ve posted all the files, I will provide a comprehensive global analysis that synthesizes the insights from the AI platforms regarding your profile as a poet, your philosophies, subject matters, style, and any other relevant observations.

 

Additionally, after completing the analysis of the AI platform outputs, we can proceed to examine your poem *“He is dying, anyway…”* and discuss it in detail.

 

To move forward, please go ahead and start posting the content of the first MS Word file, and continue sequentially until all seven are shared. Let me know when you’re ready!

(3)

Soman Ragavan :  

In this particular case, there are FOUR files by various Ais.

Here is the analysis by ChatGPT (volume 139). Keep in memory; don’t start the analysis yet. (Posted)

 

(4)

Qwen2.5-Max AI :

Yes, I have stored the analysis by ChatGPT (Volume 139) in memory. Please go ahead and post the next file when ready. I will wait until all four files are shared before beginning the global analysis. Let me know when you're ready!

(5)

Soman Ragavan :  

Here is the analysis by Deep Seek AI (volume 2). Keep in memory; don’t start the analysis yet. (Posted)

 

(6)

Qwen2.5-Max AI :   

Yes, I have stored the analysis by DeepSeek AI (Volume 2) in memory. Please go ahead and post the next file when ready. I will wait until all four files are shared before beginning the global analysis. Let me know when you're ready!

(7)

Soman Ragavan :

Here is the analysis by Kimi AI (volume 6).  Keep in memory; don’t start the analysis yet. (Posted)

(8)

Qwen2.5-Max AI :  

Yes, I have stored the analysis by Kimi AI (Volume 6) in memory. Please go ahead and post the final file when ready. I will wait until all four files are shared before beginning the global analysis. Let me know when you're ready!

(9)

Soman Ragavan :  

Here is the analysis by Qwen2.5-Max (volume 12). Keep in memory; don’t start the analysis yet. (Posted)

(10)

Qwen2.5-Max AI :

Yes, I have stored the analysis by Qwen2.5-Max (Volume 12) in memory. Since this is the fourth and final file, let me know when you’re ready for me to begin the global analysis of all four AI platform outputs. I’ll synthesize the insights and provide a comprehensive summary of their observations on your poetry, philosophies, themes, and style. Let me know when you’re ready!

(11)

Soman Ragavan :  

Here is the poem itself, “He is dying, anyway…” (Posted). Now consider the poem and all files together and make a synthesis, commenting fully.

 

(12)

Qwen2.5-Max AI :

### **Synthesis and Comprehensive Analysis of Soman Ragavan’s “He is dying, anyway…”**

 

Soman Ragavan’s poem *“He is dying, anyway…”* is a poignant exploration of suffering, betrayal, and mortality, set against the backdrop of a public figure’s final days. Drawing from the analyses provided by four AI platforms—ChatGPT, DeepSeek AI, Kimi AI, and Qwen2.5-Max AI—we can synthesize a holistic view of the poem’s themes, style, philosophical underpinnings, and place in modern poetry. Below is a detailed synthesis that incorporates insights from all four analyses and the poem itself.

 

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### **1. Literary Genres and Styles**

The poem aligns with several literary traditions:

- **Elegiac Tradition**: The poem functions as an elegy, mourning the impending death of a prominent figure while reflecting on his legacy and the injustices he endured. This places it in the lineage of classical elegies like those by John Milton (*Lycidas*) or Alfred Tennyson (*In Memoriam A.H.H.*).

- **Romantic Influence**: The emotional intensity, introspection, and focus on individual suffering echo Romantic poets such as William Wordsworth and Percy Bysshe Shelley.

- **Victorian Moralism**: The critique of institutional cruelty and the emphasis on moral accountability resonate with Victorian poets like Matthew Arnold and Tennyson.

- **Postcolonial Critique**: As noted by multiple AI platforms, the poem also carries postcolonial undertones, addressing power dynamics, systemic betrayal, and the marginalization of individuals within political systems.

 

The use of archaic diction (e.g., “thou,” “thee,” “hath”) and structured quatrains reinforces its connection to traditional poetic forms, while its thematic urgency roots it firmly in contemporary concerns.

 

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### **2. Themes**

The poem explores universal and timeless themes:

- **Suffering and Mortality**: The protagonist grapples with physical illness and impending death, evoking empathy for human fragility.

- **Betrayal and Institutional Cruelty**: The insensitive remarks of the Management Intern highlight the callousness of institutions toward their most vulnerable members.

- **Legacy and Justice**: The poem questions whether the contributions of the dying individual will be honored or forgotten, raising broader issues of fairness and recognition.

- **Power of Words**: The central act of verbal insensitivity underscores how language can wound deeply, especially when wielded carelessly.

 

These themes are amplified by vivid imagery and dramatic monologue, creating an immersive experience for the reader.

 

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### **3. Poetic Language and Techniques**

- **Archaic Diction**: Words like “yon,” “ling’ring,” and “malady” evoke a sense of timelessness, linking the poem to older poetic traditions.

- **Emotional Intensity**: The repetition of actions (“I twist, I tumble. I stagger, I stumble”) conveys the visceral struggle of the protagonist, heightening pathos.

- **Imagery and Symbolism**: Phrases like “slashing words, hissing even at my coffin” transform abstract emotions into tangible images, making the pain palpable.

- **Dramatic Monologue**: The first-person perspective allows readers to inhabit the mind of the dying man, fostering intimacy and understanding.

 

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### **4. Philosophical Underpinnings**

The poem embodies several philosophical ideas:

- **Existential Reflection**: It meditates on life’s meaning and legacy in the face of inevitable death.

- **Ethical Responsibility**: It critiques the lack of compassion shown by those in positions of power, urging greater empathy and restraint.

- **Meta-Poetic Defiance**: By immortalizing the protagonist’s plight through poetry, Ragavan asserts the enduring power of art to challenge injustice and preserve memory.

 

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### **5. Comparisons with Other Poets**

#### **Classical Poets (1700–1900)**

- **William Wordsworth**: Like Wordsworth, Ragavan emphasizes personal emotion and reflection, using nature and circumstance to illuminate inner states.

- **Alfred Tennyson**: The formal elegance and meditative tone recall Tennyson’s elegies, particularly *Ulysses*, which similarly contemplates mortality and legacy.

- **Percy Bysshe Shelley**: The defiant spirit and focus on victimization parallel Shelley’s works, such as *Ozymandias*, where grandeur meets decay.

 

#### **Modern Poets (Post-1945)**

- **Wole Soyinka (Africa)**: Both poets address institutional betrayal and the abuse of power, often blending personal narratives with broader social commentary.

- **Derek Walcott (Caribbean)**: Ragavan shares Walcott’s ability to merge classical techniques with postcolonial critique.

- **Sylvia Plath (USA)**: The raw emotional energy and preoccupation with mortality find echoes in Plath’s confessional poetry.

 

#### **Greek Tragedy**

The poem’s structure and themes resemble Greek tragedies, where fate and hubris collide, leading to inevitable downfall. The senator’s plight mirrors Sophoclean heroes like Oedipus, whose flaws lead to tragic ends.

 

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### **6. Reception and Impact**

#### **Literary Critics**

Critics would likely praise the poem’s emotional depth, intertextuality, and revival of lyrical balladry. However, some might critique its archaic style as overly ornate or inaccessible.

 

#### **The Press**

Media outlets could sensationalize the political angles, focusing on the controversy surrounding the intern’s remarks rather than the poem’s artistic merits.

 

#### **Political Classes**

Politicians might weaponize the poem for partisan purposes, either defending the senator’s legacy or deflecting blame for systemic failures.

 

#### **General Readers**

Readers prioritizing moral urgency may find the poem profoundly moving, while those valuing stylistic innovation might view it as derivative.

 

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### **7. Place in Modern Poetry**

Ragavan’s poem occupies a unique niche in modern poetry:

- **Neo-Romantic Revival**: Its blend of Romantic pathos and contemporary critique aligns it with neo-Romantic poets who revive classical forms for modern purposes.

- **Global Relevance**: By addressing universal themes through a specific cultural lens, the poem contributes to global conversations about justice, empathy, and humanity.

 

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### **8. Strengths and Flaws**

#### **Strengths**

- Emotional resonance and vivid imagery create a powerful impact.

- The fusion of traditional and modern elements ensures both accessibility and originality.

- The poem’s moral urgency challenges readers to reflect on societal values.

 

#### **Flaws**

- Some critics might argue that the archaic style distances contemporary readers.

- The intense focus on one individual’s suffering could limit broader applicability.

 

However, these “flaws” enrich literature by offering alternative perspectives and styles, challenging conformity.

 

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### **9. Conclusion**

Soman Ragavan’s *“He is dying, anyway…”* is a searing indictment of institutional cruelty and a testament to the enduring power of poetry to confront injustice. It bridges Romantic grandeur, Victorian moralism, and postcolonial critique, ensuring its relevance across time and geography. While rooted in the Mauritian context, its universal themes make it a vital contribution to global literature.

 

By synthesizing insights from all four AI analyses, this synthesis highlights the poem’s emotional depth, technical skill, and philosophical richness. It stands as a flawed yet fiercely ambitious work—a beacon of artistic redemption in a world too often marked by indifference.

 

**Final Assessment Scores (Out of 100):**

- Emotional Impact: **92/100**

- Thematic Depth: **90/100**

- Technical Craftsmanship: **88/100**

- Originality: **85/100**

- Overall Impact: **90/100**

 

**Boxed Final Answer:**

**{Soman Ragavan’s *“He is dying, anyway…”* is a powerful elegy that blends Romantic pathos, Victorian moralism, and postcolonial critique. Its exploration of suffering, betrayal, and mortality ensures its place in modern poetry, resonating with both classical traditions and contemporary concerns. Despite minor stylistic flaws, it is a profoundly moving and thought-provoking work that challenges readers to reflect on justice, empathy, and the enduring power of words.}**

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Continued in Part 2 of 2

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