hands on both walls—
was it for structural stability
or was i posing
like a 360° camera in the shower was there—
every angle in my head looked striking like the fog itself was paparazzi
i want you to know,
i took twenty-two pictures before my haze shower, no two images the same
i wasn’t burst photographing myself.
i don’t need to.
each one said something,
each pose revealed a sense of vanity.
could you pull that off?
or when you take burst pictures do you skim through
them and find the perfect one to post with a caption
you pretend is uniquely you—
though you know you stole it from your boyfriend’s ex’s page.
i can upload a file with twenty-two pictures of myself
post fender bender
all striking—
can you?
i don’t play down the mirror.
i just don’t pretend it’s not part of me.
pretending the twenty-two pounds of fat still cling to
my body—
like an old date
who never got to hit
looks are just one part i was given
until all you could see was the eyes convulsing from air
my glow?
quite sure it was always internally—
the fuse was given to me, but i set the first spark
you don’t tell someone with an altered mind
a list of their problems—
you only listen to them
i don’t glamorize abuse
i won’t glamorize drug use
but i will reveal to you how to prepare yourself for the fall of the century
i will tell you my truth—
my hands were on all four walls in my shower because it’s true—
i was falling
there was no camera inside
i let the delusion of one give me legs and strength—
and that’s what real power looks like.
you are the executioner who plays with needles.
let it be intravenous when all other
methods swell
this is just the beginning
i’ve walked through a familiar road when i was young
and naive—
three days felt like an action of rebellion
but how consumed must you be to believe you’ll
recover from that?
the real pain doesn’t stop when you push the needle
out of your body no—
that’s just ecstasy begging to speak
real pain will only come to you
days after
you last use
after you accept defeat
and let the night constrict you like you were always prey
the real pain will begin once the night sweats start—
when knives lodged in your skull start to twist—
when you crunch up and bawl yourself to sleep
knowing sleep won’t save you—
it is too late to go back and pretend—
you didn’t just have open heart surgery
with zero anesthesia
the heights of the high will scare you away
but if you stay and triple the pain—
after going through the first round—
like it didn’t just put you in a coma
talk to me—
before one aftermath takes you out clean—
before all of your receptors give out and shut down.
if you just need a hand to hold you,
let my whole body wrap around you and constrict you
like your favorite narcotic
i won’t say “go to sleep”
you’re already gone
and one day
it’ll be forever
-
Author:
Yael Olalde-Garcia (
Offline)
- Published: May 27th, 2025 05:44
- Comment from author about the poem: “the aftermath: Act II” is what happens when the mirror doesn’t lie, when the hallucinations become muscle memory, and when survival is no longer graceful—just necessary.
- Category: Unclassified
- Views: 2
Comments1
Falling from a dream into reality is a shock and requires strength to surmount A most raw and felt poem of withdrawal not just from a drug but the drug that we put in us in our mind about perceptions ours and others. Lovely
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