False Gods and Real Wounds

Donteatmecows

The city hums with neon lies, heroes posing for the cameras, smiles stretched thin like plastic over fear. I walk among them, the wounded ones, the ones who learned early that power is just another kind of hunger.

Some men wear capes, others wear trauma, both stitched together by hands that never learned gentleness. I see the way their eyes flicker— a childhood flash, a lab room, a mother’s absence, a father’s shadow.

Truth doesn’t shine here. It bleeds.

And still, in the alleys where the noise dies down, I find the quiet survivors— the ones who laugh through pain, the ones who fight because they must, the ones who know that justice isn’t a symbol, but a scar.

In this city of broken capes, no one is pure, no one is saved, but some of us keep walking anyway, carrying our damage like lanterns to light the way for someone else.

They preach salvation from billboards twenty stories high, faces glowing with the kind of holiness you can only buy with a marketing budget.

Crowds gather, hands raised, praising the miracles performed by men who can barely look themselves in the mirror.

Behind the curtain, the gospel changes. It smells like chemicals, contracts, and childhoods carved open for the sake of a brand.

The city kneels to gods who never learned mercy, and mortals pray that the collateral damage won’t land on their street today.

But somewhere in the noise, a few broken souls refuse the sermon. They write their own scripture in grit and blood, in truth and consequence, in the stubborn belief that humanity is worth saving even when heroes aren’t.

  • Author: Lewis O’Carroll (Pseudonym) (Offline Offline)
  • Published: August 24th, 2026 12:44
  • Comment from author about the poem: This poem is inspired by The Boys, not because the show reflects my values, but because it reflects a certain texture of life I lived through years ago. I grew up with child‑onset schizophrenia and long stretches of emotional starvation, and during that time my world felt gritty, unstable, and fragmented in ways I couldn’t control. The show’s world — chaotic, messy, and full of damaged people trying to survive — mirrors that atmosphere. It’s not my favorite show, and it’s not the one closest to my core beliefs. But it resonates with the part of my past where I couldn’t fully connect with what I valued most. Back then, I often watched or said things that didn’t match who I really was. The Boys feels like a reflection of that era: a world where people carry wounds, where reality bends under pressure, and where survival sometimes overshadows clarity. This poem isn’t about glorifying that world. It’s about acknowledging it — the grit, the fracture, and the strange familiarity of a place I once lived in internally, even though I’ve moved far beyond it now.
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