You are carried in a basket,
Like a carcase from the shambles,
To the theatre, a cockpit
Where they stretch you on a table.
Then they bid you close your eyelids,
And they mask you with a napkin,
And the anaesthetic reaches
Hot and subtle through your being.
And you gasp and reel and shudder
In a rushing, swaying rapture,
While the voices at your elbow
Fade--receding--fainter--farther.
Lights about you shower and tumble,
And your blood seems crystallising -
Edged and vibrant, yet within you
Racked and hurried back and forward.
Then the lights grow fast and furious,
And you hear a noise of waters,
And you wrestle, blind and dizzy,
In an agony of effort,
Till a sudden lull accepts you,
And you sound an utter darkness . . .
And awaken . . . with a struggle . . .
On a hushed, attentive audience.
Back to William Ernest Henley
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Comments2Wow, this really is such a powerful poem. That part where it says, "And you gasp and reel and shudder in a rushing, swaying rapture, while the voices at your elbow fade--receding--fainter--farther", really portrays the sense of eeriness and tension of being under the influence of an anesthetic. The descriptive language puts you right there on the operating table. Very moving and intense!
REALLY VIVID AND INTENSE STUFF!